Start of class: "Lazy Afternoon" by Benny Carter and his Orchestra (1937)
"Does Jesus Care?" by Sister Ernestine Washington with Bunk Johnson (ca. 1945)
Stride Piano example: "You've Got to Be Modernistic" by James P. Johnson (1930)
Early New York big band example: "Copenhagen" by Fletcher Henderson (1924)
End of class: "Bricolle Gourde" by La Campagnie des musiques à ouïr from La Campagnie des musiques à ouïr (1999)
"Lover Man (Oh Where Can You Be?)" by Django Reinhardt (1947)
Start of class: "Jesus Maria" by Lumière de Laurent Cugny from A Personal Landscape (2007)
Jelly Roll Morton example: "Dead Man Blues" by Jelly Roll Morton and his Red Hot Peppers (1926)
Symphonic/Sweet jazz example: "Changes" by the Paul Whiteman Orchestra (1927)
Symphonic/Sweet jazz example: "Rhapsody in Blue" composed by George Gershwin, originally performed by Paul Whiteman and his Orchestra (1924). This recording performed by Leonard Bernstein and the Los Angeles Philharmonic (1982)
End of class: "Black Elk Speaks" by the Branford Marsalis Quartet from Braggtown (2006)
Start of class: "Beginning" by Jean-Michel Pilc Trio from Welcome Home (2002)
"Swing de Paris" by Django Reinhardt (1941)
New Orleans Jazz example: "Snake Rag" by King Oliver (1923)
Soloists in New Orleans style example: "Cake Walking Babies (From Home)" by the Red Onion Jazz Babies (1925)
Jelly Roll Morton example: "Doctor Jazz" by Jelly Roll Morton and his Red Hot Peppers (1926)
End of class: "What a Little Moonlight Can Do" by Billie Holiday (1935)
Start of class: "Flautando" by Nicolas Simion from Luca's Dream (1998)
Syncopated Dance Music example: "Castle House Rag" by James Reese Europe's Society Orchestra (1914)
New Orleans style example: "Dixie Jazz Band One-Step" by the Original Dixieland Jazz Band (1917)
End of class: "Between the Devil and the Deep Blue Sea" by Count Basie and his Orchestra (1939)
Start of class: "Norah 6" by Medeski Martin and Wood from The Dropper (2000)
"Moon Dreams" by Miles Davis from Birth of the Cool (1957)
City/classic blues and acoustic recording example: "Reckless Blues" by Bessie Smith (1925)
Electric recording example: "West End Blues" by Louis Armstrong and his Hot Five (1928)
Minstrelsy example: "De Boatmen's Dance" from The Early Minstrel Show (1985)
Brass/concert band example: "Stars and Stripes Forever" recorded by John Philip Sousa (1913)
Ragtime example: "Maple Leaf Rag" by Scott Joplin from Classical Treasures: Maple Leaf Rag (2003)
Ragtime into jazz example: "Maple Leaf Rag" as performed by Jelly Roll Morton (1938)
End of class: "Long As You Know You're Living Yours" by Keith Jarrett from Belonging (1974)
Start of class: "All of Me" by Django Reinhardt (1940)
"Maple Leaf Rag" by Bunk Johnson (1945)
"Mop Mop" by the Teddy Wilson Sextet (1944)
African-American spiritual example: "The Buzzard Lope" as sung by the Georgia Sea Island Singers (1965)
Country Blues example: "I Believe I'll Dust My Broom" by Robert Johnson (1936)
End of class: "Three Views of a Secret" by Jaco Pastorius from The Birthday Concert (1981)
"Billie's Blues" by Billie Holiday (1936)
"Sorry" by Bix Beiderbecke (1927)
Start of class: "Bu Dee Daht" by Coleman Hawkins (1944)
"Ridin' but Walkin'" by Fats Waller (1929)
"La Garonne" by Medeski Martin & Wood from Notes From the Underground (1992)
Analysis of jazz form and improvisation: "Sonny Side" by Sonny Stitt from Sonny Stitt/Bud Powell/J.J. Johnson (1949)
Analysis of jazz form and improvisation: "Shorter Form" by ScoLoHoFo from Oh! (2003)
End of class: "Don't Worry About Me" by Django Reinhardt (1939)
Start of class: "She Ain't No Saint" by the Spirits of Rhythm (1945)
"A Warm Breeze" by the Count Basie Orchestra from A Warm Breeze (1980)
Monophony example: "Autumn Nocturne" by Sonny Rollins from Silver City (1978)
Homophony example: "Jeru" by Miles Davis from Birth of the Cool (1957)
Block chord texture example: "Moon Dreams" by Miles Davis from Birth of the Cool (1957)
Polyphony example: "Julia" by Baptiste Trotignon from Solo II (2006)
12-bar blues example: "West End Blues" by Louis Armstrong (1928)
12-bar blues example: "Now's the Time" by Charlie Parker (1945)
32-bar AABA form: "A Sailboat in the Moonlight" by Billie Holiday (1937)
32-bar AABA form: "So What" by Miles Davis from Kind of Blue (1959)
Riffs in jazz: "Taxi War Dance" by the Count Basie Orchestra (1939)
Solo breaks and stop-time in jazz: "Dr. Jazz" by Jelly Roll Morton and his Red Hot Peppers (1926)
End of class: "It Had To Be You" by Django Reinhardt (1938)
"Perdido Street Blues" by Louis Armstrong and his Orchestra (1940)
Start of class: "Original Haitian Music (Part 2)" by Sidney Bechet (1939)
"Boogaloo Boogie" by Stanton Moore from All Kooked Out! (1998)
Example of free rhythm: "Autumn Nocturne" by Sonny Rollins from Silver City (1978)
Example of meter in jazz: "Do I Crazy?" by John Scofield from Works for Me (2001)
Example of meter in jazz: "Swedish Schnapps" by Charlie Parker (1951)
Example of blue notes in jazz: "Reckless Blues" by Bessie Smith (1925)
Example of modal playing in jazz: "So What" by Miles Davis from Kind of Blue (1959)
Example of "Rhythm Changes": "I Got Rhythm" by Django Reinhardt (1949)
Example of "Rhythm Changes": "Anthropology" by the Mehldau and Rossy Trio from When I Fall In Love (1993)
End of class: "With Thee I Swing" by Teddy Wilson and his Orchestra (1936)
Start of class: "Dark Rapture" by Count Basie and his Orchestra (1938)
"Luminarias (Tango)" by Guillermo Klein from Una nave (2005)
Start of class: "Pinecone" by Jeff Parker from Like-Coping (2003)
"Where Are You, My Love?" by Kurt Elling from Night Moves (2007)
"Rhythm" by the Spirits of Rhythm (ca. late 1930s)
Example 1: "Solar" by Miles Davis from Walkin' (1954)
Example 2: "Muskrat Ramble" by Sidney Bechet with Dr. Henry Levine and his Barefooted Dixieland Philharmonic (1940)
Example 3: "Blow Top" by Count Basie (1941)
Example 4: "Sea of Sounds" by Sun Ra from Space Is The Place (1972)
Example 5: "Live at Bla" by Bugge Wesseltoft from New Conception of Jazz Live (2002)
